Artemis II Returns From the Moon as Old Conspiracies Find New Life Online

9 April 2026

Paul Francis

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A Mission in Motion, Not Preparation

Artemis II is no longer a promise or a plan. It is a live, unfolding mission.

Having successfully travelled beyond low Earth orbit and looped around the Moon, the crew are now on their return journey to Earth. In doing so, they have already secured their place in history as the first humans in more than half a century to venture into deep space. The mission itself has been widely followed, not just through official NASA channels but across social media, where images, clips and astronaut updates have circulated in near real time.

Among the most striking moments so far have been the views of Earth from lunar distance. These are not abstract renderings or archival references. They are current, high-resolution visuals captured by a crew physically present in deep space. For many, it has been a powerful reminder of both scale and perspective, reinforcing the reality of human spaceflight beyond Earth orbit.

Yet as these images spread, something else has travelled with them.

Earthrise over the Moon's horizon, showing Earth partially lit against the blackness of space. The Moon's surface is grey and textured.

The Return of a Familiar Narrative

Alongside the excitement and global attention, Flat Earth narratives have begun to reappear with renewed visibility. As with previous milestones in space exploration, the mission has acted as a catalyst rather than a cause.

Footage from Artemis II, particularly anything showing Earth as a curved, distant sphere, has been picked apart across various platforms. Claims of digital manipulation, lens distortion and staged environments have resurfaced, often attached to short clips or isolated frames removed from their original context.

This is not evidence of a growing movement in terms of numbers. It is, however, a clear increase in visibility. The scale of Artemis II has pulled these conversations back into mainstream timelines, where they sit alongside genuine public interest and scientific engagement.

Real-Time Content, Real-Time Reaction

What distinguishes Artemis II from earlier missions is the immediacy of its coverage. This is not a mission filtered through delayed broadcasts or carefully edited highlights. It is being experienced as it happens.

That immediacy has a double edge. On one hand, it allows for unprecedented access and transparency. On the other, it provides a constant stream of material that can be reinterpreted, clipped and redistributed without context.

A reflection in a window, a momentary visual artefact in a video feed, or even the way lighting behaves inside the spacecraft can quickly be reframed as suspicious. Once those clips are detached from their technical explanations, they take on a life of their own within certain online communities.

The speed at which this happens is key. Reaction no longer follows the event. It unfolds alongside it.

Scepticism in the Age of Algorithms

Flat Earth content does not exist in isolation. It is sustained by a broader culture of scepticism towards institutions, particularly those associated with government and large-scale scientific endeavour.

NASA, as both a symbol of authority and a source of complex, hard-to-verify information, naturally becomes a focal point. Artemis II, with its deep space trajectory and high visibility, fits neatly into that framework.

Social media platforms then amplify the effect. Content that challenges, contradicts or provokes tends to perform well, regardless of its factual basis. As a result, posts questioning the mission often gain traction not because they are persuasive, but because they are engaging.

This creates a distorted sense of scale. What is, in reality, a fringe viewpoint can appear far more prominent than it actually is.

The Broader Public Perspective

Outside of these pockets of scepticism, the response to Artemis II has been largely one of fascination and admiration. The mission has reignited interest in human spaceflight, particularly among audiences who have never experienced a live crewed journey beyond Earth orbit.

There is also a noticeable difference in tone compared to previous eras. The Apollo missions were moments of collective attention, where a single narrative dominated public consciousness. Artemis II exists in a far more fragmented environment, where multiple conversations unfold simultaneously.

In that landscape, it is entirely possible for celebration, curiosity and conspiracy to coexist without directly intersecting.

A Reflection of the Modern Media Landscape

The re-emergence of Flat Earth narratives during Artemis II is not an anomaly. It is part of a broader pattern that defines how major events are now experienced.

Every significant moment generates its own parallel discourse. One is grounded in reality, driven by science, engineering and exploration. The other is shaped by interpretation, scepticism and the mechanics of online engagement.

Artemis II, currently making its way back to Earth, sits at the centre of both.

The mission itself is a clear demonstration of human capability and technological progress. The conversation around it, however, reveals something different. It highlights how information is processed, challenged and reshaped in real time.

In that sense, Artemis II is not just a journey through space. It is a case study in how modern audiences navigate truth, trust and visibility in an increasingly complex digital world.

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Deadpool & Wolverine: A Dynamic Duo for the Ages

Paul Francis
Jul 29, 2024
3 min read

The third instalment in the Deadpool franchise, Deadpool & Wolverine, sees Ryan Reynolds reprising his iconic role as the Merc with a Mouth, this time reluctantly teaming up with a freshly un-retired Hugh Jackman as Wolverine. Together, they battle a renegade element of the Time Variance Authority (TVA) to prevent Deadpool's timeline from being "trimmed." The TVA, an organization from Marvel Comics introduced in 1986, monitors the multiverse and ensures the proper flow of time. Fans might remember their prominent role in the Disney+ series Loki.

Deadpool vs Wolverine — Image generated by AI

Deadpool, created by writer Fabian Nicieza and artist Rob Liefeld, first appeared in The New Mutants #98 in 1991. Known for his regenerative healing factor and irreverent humour, Deadpool quickly became a fan favourite. Ryan Reynolds, passionate about the character, pushed for years to bring a faithful adaptation to the screen, culminating in the release of Deadpool in 2016 after a successful leaked test footage went viral.

Wolverine, on the other hand, was created by writer Len Wein and artist John Romita Sr., first appearing in The Incredible Hulk #180 in 1974. Wolverine's gruff demeanour, retractable claws, and healing factor made him a central figure in the X-Men series. Hugh Jackman first portrayed Wolverine in 2000's X-Men and has since become synonymous with the character, despite declaring his retirement from the role after 2017's Logan. Jackman's return for this film marks a monumental moment for fans, given the characters' long-standing comic book rivalry and banter.

The TVA, introduced in Thor #372 in 1986, plays a critical role in maintaining the timeline's integrity within the Marvel universe. Their introduction to the mainstream audience came through the Loki TV series, which further explored the concept of multiverses and timeline management, setting the stage for their involvement in this film.

Beyond their on-screen personas, Reynolds and Jackman share a well-documented real-life friendship filled with playful banter and mutual admiration. This camaraderie is evident in their performances, adding an extra layer of enjoyment for fans. Their social media exchanges, such as the 2019 video where they called a truce on their "feud" to promote each other's ventures, highlight their genuine connection.

Do You Need to Have Seen All the Other Marvel Movies and TV Shows?

To fully appreciate Deadpool & Wolverine, viewers should have watched up to Avengers: Endgame and at least the first season of Loki. While familiarity with other Marvel films and shows can enhance the experience, it's not strictly necessary. Some references might elude those unfamiliar with pre-Iron Man movies, but the film remains accessible and enjoyable.

Review

In my opinion, Deadpool & Wolverine is one of the best movies I've seen in a long time. The wit, action, cameos, and in-jokes keep the film engaging throughout its runtime. Once it really gets going, it REALLY gets going. It's been a while since a Marvel movie gave me goosebumps, but this one did. The film honours both modern Marvel fans and long-time comic book enthusiasts.

The plot is relatively straightforward: something evil is happening, and Deadpool has to stop it. But you're not here for a detailed plot; you're here to see Deadpool and Wolverine kick the crap out of each other and everyone else. The film's strength lies in its characters and their interactions, not in a complex narrative.

Avoiding spoilers is crucial, as nearly every moment could give something away. I highly recommend this film to fans, even if, like me, you've been a bit of a lapsed fan since Avengers: Endgame. This movie will reignite your passion for the Marvel universe.

However, it's worth noting that the film has polarized audiences. Critics on Rotten Tomatoes have given it as low as 1-star ratings, with most fan ratings either 5-star or 1-star, and very few in between. Despite this, it boasts a 97% audience score on Rotten Tomatoes. Negative reviews often cite excessive violence and juvenile humour, but that's quintessential Deadpool. If you're not into that, this film might not be for you.

https://www.youtube.com/watch?v=Idh8n5XuYIA

As of writing, Deadpool & Wolverine has grossed $438.3 million at the box office, and that number is only going to rise. If you're a fan, get to the cinema before social media spoils it for you.