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Landmark Negligence Cases That Changed Personal Injury Law

Landmark Negligence Cases That Changed Personal Injury Law

6 November 2025

Toby Patrick

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Personal injury law is vital for those who have suffered from negligence or a lack of care with their injury and therefore seek compensation. Over time, several landmark cases have completely transformed personal injury law. Below, we look at some of the key cases that have shaped modern legal principles and how they continue to impact lives today.


Classical building with ornate columns and statues under a cloudy sky. Weathered stone and detailed sculptures convey a historic feel.

Palsgraf vs Long Island Railroad Co. (1928)

One of the oldest and most famous cases in personal injury law is the claim of Helen Palsgraf against Long Island Railroad Co. In this case, Helen was injured when a package containing fireworks exploded on the railroad tracks. The explosion occurred as railway employees were assisting a man boarding a train.


Helen Palsgraf sued for her injuries, which led to a major debate over liability. The court ultimately ruled that the railroad company was not liable, as the harm was not foreseeable. This decision introduced the concept of foreseeability into the doctrine of negligence, emphasising that liability depends on whether harm is a reasonably predictable consequence of the defendant’s actions.


Donoghue vs Stevenson (1932)

Another landmark case from the early 1930s, this one transformed personal injury law across the world. May Donoghue became ill after drinking a bottle of ginger beer that contained a decomposed snail. Although her friend purchased the drink, Donoghue sued the manufacturer, Stevenson, for damages.


The court concluded that Stevenson had a duty of care to ensure the safety of their products, even without direct contact between the manufacturer and consumer. This case established the modern principle of negligence and influenced similar legal doctrines internationally.


Baker v. City of St. Louis (1967)

In this case, Baker sued the City of St. Louis after being injured while attempting to board a bus. He argued that the city failed to ensure proper maintenance of its buses and adequate training of drivers. The city claimed sovereign immunity, meaning it could not be sued.


However, the court ruled that the city could be held liable under the doctrine of negligence. This case reshaped the modern understanding of government liability, ensuring that cities cannot rely on sovereign immunity when negligence or personal injury is involved.


Roe v. Wade (1973)

Although best known as a landmark decision in reproductive rights, Roe v. Wade also had implications for personal injury and medical law. Jane Roe challenged Texas laws that prohibited abortion, arguing for her right to privacy.


The U.S. Supreme Court ruled that the constitutional right to privacy extended to a woman’s decision to have an abortion. While primarily focused on bodily autonomy, the case reinforced the importance of medical rights and personal safety, principles closely related to personal injury and negligence law.


Berg v. Nationwide Mutual Insurance Co. (1978)

In this case, Berg sought compensation from Nationwide Mutual Insurance Company under his insurance policy. The dispute centred on how the company interpreted policy coverage. The court ruled that insurance companies cannot deny coverage to victims based on technicalities or unclear wording, describing such behaviour as professional negligence.


This case transformed the way insurance contracts are written, reinforcing the need for fairness and transparency between insurers and policyholders.


McDonald’s Hot Coffee Case: Liebeck v. McDonald’s (1994)

Perhaps the most famous personal injury case of all time, this lawsuit involved Stella Liebeck, who suffered third-degree burns after spilling hot coffee purchased from McDonald’s. She was hospitalised and incurred serious medical expenses.


The jury found that McDonald’s had acted with gross negligence by serving coffee at a dangerously high temperature. The case sent shockwaves through the legal and corporate world, leading to stronger consumer protection laws and the introduction of visible safety warnings on hot beverage containers.


It also sparked global debate about corporate responsibility, personal accountability and public perception of compensation claims.


Summary

Personal injury law continues to evolve through court decisions that balance fairness, duty of care and responsibility. From the snail in the bottle to the coffee cup warning, each case has shaped how we understand negligence and justice in everyday life.


While not every claim succeeds, these landmark rulings have transformed the modern legal landscape, ensuring that individuals and institutions are held accountable for the safety and well-being of others.

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The Lost Legends of Cinema: Films That Never Came to Be

  • Writer: Connor Banks
    Connor Banks
  • Aug 12, 2024
  • 3 min read

Film Snapper

In the glittering world of Hollywood, not all dreams make it to the silver screen. Some projects, despite their enormous potential and the star-studded talent attached to them, remain forever in the realm of "what could have been." Among these are some of the most intriguing and ambitious films never made, each with its own unique story that has captivated the imaginations of fans and filmmakers alike. From Alejandro Jodorowsky’s psychedelic epic to George Miller’s ambitious superhero ensemble, these unproduced films offer a glimpse into alternate cinematic realities.


Jodorowsky's Dune: The Psychedelic Epic

Jodorowsky's Dune Concept Image

Jodorowsky's Dune stands out as perhaps the most legendary of these unfinished projects. In the mid-1970s, avant-garde filmmaker Alejandro Jodorowsky embarked on an audacious quest to adapt Frank Herbert’s science fiction masterpiece, "Dune." His vision was nothing short of revolutionary, intending to create a 10-14 hour cinematic experience that would transcend traditional film and become a transformative journey for viewers. Jodorowsky assembled an extraordinary team, including surrealist artist Salvador Dalí, Orson Welles, Mick Jagger, and H.R. Giger, with a soundtrack by Pink Floyd. Despite the staggering talent and creativity involved, the project was ultimately deemed too ambitious and costly. Financial and logistical issues, combined with Hollywood's reluctance to back such an unconventional vision, led to its demise. The story of "Jodorowsky’s Dune" was later immortalised in a 2013 documentary, offering a fascinating look at what might have been and showcasing the profound influence it had on future science fiction films.



The Man Who Killed Don Quixote: A Dream Delayed

The Man Who Killed Don Quixote concept art piece

Equally compelling is Terry Gilliam’s "The Man Who Killed Don Quixote." Gilliam, known for his work with Monty Python and his uniquely surreal directorial style, spent nearly three decades attempting to bring this project to life. The film, a loose adaptation of Miguel de Cervantes’ classic novel, faced an extraordinary array of setbacks. The initial production in 2000 was plagued by natural disasters, financial issues, and a severe back injury suffered by lead actor Jean Rochefort. These calamities, captured in the documentary "Lost in La Mancha," halted the project, and subsequent attempts to revive it faced similar challenges. It wasn’t until 2018 that Gilliam finally completed the film, though it differed significantly from his original vision. The journey of "The Man Who Killed Don Quixote" remains a testament to artistic perseverance, highlighting the often tumultuous path from script to screen.


Atuk: The Cursed Comedy

Atuk Concept Image

"Atuk," based on Mordecai Richler’s novel "The Incomparable Atuk," has earned its place in Hollywood legend due to the so-called "Atuk curse." This comedy about an Inuit navigating the modern urban jungle was attached to several high-profile actors, each of whom died under tragic and unexpected circumstances before production could begin. John Belushi, Sam Kinison, John Candy, and Chris Farley all expressed interest or were cast in the lead role, only to meet untimely deaths. The eerie pattern of misfortune has led to a macabre fascination with the project, ensuring that "Atuk" remains one of the most infamous unproduced films in history.


Batman: Year One: The Dark Reimagining

Concept of Gotham City as seen from Above

In the realm of superhero cinema, Darren Aronofsky’s "Batman: Year One" represents a radical departure from the traditional portrayals of the Dark Knight. Aronofsky, known for his dark and psychologically intense films, envisioned a gritty reboot of Batman that would strip the character down to his essence. This version of Bruce Wayne would lose his fortune, live on the streets, and don a makeshift costume. Despite the intriguing premise, Warner Bros. ultimately chose a different path, opting for Christopher Nolan’s "Batman Begins," which balanced realism with a more traditional narrative. Aronofsky’s bold vision remains a fascinating "what if" scenario, reflecting the creative risks involved in reimagining iconic characters.


Justice League: Mortal: The Superhero Ensemble That Almost Was

Justice League Mortal Concept

Finally, George Miller’s "Justice League: Mortal" was an ambitious attempt to bring together DC Comics' most iconic superheroes in a single film long before the success of the Marvel Cinematic Universe. With a cast that included Armie Hammer as Batman, D.J. Cotrona as Superman, and Megan Gale as Wonder Woman, the project promised a sprawling, epic narrative. However, it was plagued by a series of setbacks, including the 2007-2008 Writers Guild of America strike, financial issues, and concerns over audience confusion due to multiple actors playing the same characters in different franchises. Despite never being made, "Justice League: Mortal" has become a source of endless speculation and interest, illustrating the complexities and challenges of launching a shared cinematic universe.


The Allure of the Unmade

These unproduced films, each with their unique blend of ambition, talent, and misfortune, offer a tantalising glimpse into the alternate realities of cinema. They stand as reminders of the fragile nature of filmmaking, where even the most promising projects can falter and fall into the realm of legend. Yet, their stories continue to inspire, serving as both cautionary tales and sources of endless fascination for those who dream of what might have been.

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