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Bram Stoker: The Man Who Gave the World Dracula

Bram Stoker: The Man Who Gave the World Dracula

22 October 2025

Paul Francis

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Bram Stoker did not live to see how famous his creation would become. When he published Dracula in 1897, it arrived into a rapidly changing world, but the novel was not considered a sensation. It sold steadily, quietly, and respectfully. Only after his death did it begin its ascent from Gothic curiosity to cultural phenomenon.


Bram Stoker in a dark suit poses against a shadowy background. Warm lighting highlights his serious expression, creating a vintage mood.

Today, Count Dracula is one of the most recognisable fictional characters in history, influencing everything from cinema and theatre to fashion, language and popular fears. Yet the man behind it, an Irish theatre manager who wrote at night, remains a far more mysterious figure.


Early Life: A Childhood in Stillness

Abraham “Bram” Stoker was born on 8 November 1847 in Dublin, into a middle-class Protestant family. As a child he suffered from a mysterious illness that left him bedridden for years. This prolonged isolation, he later said, gave him “the habit of dreaming awake.”


He eventually recovered and attended Trinity College Dublin, where he studied mathematics and excelled in athletics, but the stage soon captured his attention. He began reviewing theatre for the Dublin Evening Mail, which led to his first encounter with the celebrated actor Sir Henry Irving.


That meeting would change the trajectory of his life.


The Theatre Years: London, the Lyceum, and Obsession

In 1878, at the age of thirty-one, Stoker moved to London to become acting and business manager of the Lyceum Theatre, working directly under Irving. He would hold the position for nearly thirty years.


The Lyceum was not just a job, it was Bram Stoker’s life. He worked punishing hours, travelling constantly on performance tours, organising schedules, finances and logistics. Irving was famously demanding, but Stoker remained devotedly loyal.


During these years, he met many notable figures, among them Ellen Terry, the Lyceum’s leading lady, and Oscar Wilde, a friend from his Dublin youth. Stoker worked in the heart of London’s artistic and intellectual world. What is remarkable is that he managed to write fiction in the margins of this exhausting career, often through the night.


A vampire with pale skin and fangs holds his black cape open. He wears a dark suit with a red-lined collar, set against a shadowy background.

The Making of Dracula

Dracula, his fifth novel, was published in 1897. It was not his first attempt at horror, earlier stories explored themes of the supernatural, but Dracula was something altogether more ambitious.


It arrived in the age of late Victorian anxiety. Britain was wrestling with fear of invasion, disease, moral decay and scientific overreach. Stoker absorbed it all. He also researched Transylvanian folklore, medieval history, the occult, and early medical science.


The form was striking. It was told through diary entries, letters, newspaper reports, ship logs: fragmented testimony that made the horror feel documentary, almost factual. Dracula is nearly invisible in the book. What matters is the growing fear he leaves behind.


The novel was well received critically, but not a bestseller. It did not become legendary until theatre and cinema got hold of it, especially after the 1931 film adaptation starring Bela Lugosi, nine years after Stoker’s death.


Other Works: Ambition Beyond the Vampire

Although history remembers him almost solely for Dracula, Stoker wrote twelve novels in total.


Notable works include:

  • The Jewel of Seven Stars (1903) : an Egyptian mummy horror story involving death, reincarnation and occult ritual. It influenced countless later “mummy“ films.

  • The Lair of the White Worm (1911) : one of his strangest, most chaotic works, involving a shape-shifting serpent-woman and pre-Christian horror.

  • The Snake’s Pass (1890) and Miss Betty (1898) : Irish and romantic novels respectively, showing his range beyond horror.


Most of these works never achieved the lasting influence of Dracula, but they reveal Stoker’s ongoing interest in folklore, resurrection, forbidden knowledge and the fine line between rational science and ancient fear.


Final Years and Death

The Lyceum Theatre declined in the early twentieth century, and with it went Stoker’s financial stability. He suffered a series of strokes beginning around 1906, which affected his speech and mobility. His health deteriorated, and money troubles followed.


Bram Stoker died in London on 20 April 1912, aged 64. Official records cite a stroke, though tertiary complications are suspected. He died not yet a household name.


His widow Florence Stoker spent years fighting for copyright against unauthorised Dracula adaptations. It was only after his death that the world began to realise the scale of what he had created.


A Legacy That Refused to Die

Bram Stoker gave nothing less than an immortal archetype to literature. His vampire was not the first, but it was the one that endured. Through cinema, theatre, television, graphic novels, video games and even comedy, Count Dracula escaped his pages and became legend.


What makes this more extraordinary is that Stoker never sought fame as an artist. He saw himself as a working professional, a steady hand behind the scenes, not the genius at the centre of the stage.


And yet, history placed him there anyway.

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WrestleMania 41: A Night of Glory, Grievances, and Ghosts of the Great One

  • Writer: Paul Francis
    Paul Francis
  • Apr 23
  • 4 min read

Cheers and Chants, Boos and Tweets: The Verdict is In

WrestleMania 41 came, saw, and - depending on who you ask - either conquered expectations or crumbled beneath the weight of its own spectacle.


Crowd fills a brightly lit arena for WrestleMania. Large stage and ring centered, vibrant colors, excitement in the air.
Image of Wresltemania 32 by Miguel Discart from Bruxelles, Belgique

Fans around the world were quick to voice their thoughts, and they weren't shy about it. Social media was ablaze the moment the lights dimmed in Las Vegas' Allegiant Stadium. From historic highs like John Cena’s record-breaking win to eyebrow-raising absences (we're looking at you, Rock), the WWE Universe had plenty to celebrate - and criticise.


Some called it the most emotionally charged 'Mania in years, others dubbed it overbooked chaos wrapped in celebrity fluff. Either way, WrestleMania did what it always does: dominate the cultural conversation.


What Is WrestleMania, Anyway?

Wrestler Cody in ornate gold and blue costume kneels, smiling with bright lights behind. Energetic mood, gold eagle shoulder decoration.
Photo by Diego Serrano

WrestleMania isn’t just a wrestling event - it’s the wrestling event. Dubbed the “Grandest Stage of Them All,” it’s WWE’s annual Super Bowl, Oscars, and rock concert rolled into one.


Since its debut in 1985, WrestleMania has been the launchpad for legends, dream matches, and moments that define eras. Who can forget Hulk Hogan slamming Andre the Giant at WrestleMania III? Or Shawn Michaels' emotional farewell at XXVI? More recently, Sasha Banks and Bianca Belair made history in 2021, lit up the world with representation and power.


In essence, WrestleMania is where the myths of pro wrestling are born.


WrestleMania 41: The Good, the Bad, and the Confusing

The Good?

  • John Cena’s 17th World Championship had the crowd exploding. History was made, and even sceptics had to admit - it was a goosebumps moment.

  • CM Punk’s return to the WrestleMania main event, complete with tears backstage and emotional callbacks, reminded fans why he’s one of the most compelling figures in wrestling.

  • Dominik Mysterio unexpectedly won fans over with his Intercontinental Title victory - perhaps turning a new page with the WWE Universe.

  • And perhaps the biggest surprise of all: TNA World Champion Joe Hendry making his WrestleMania debut against Randy Orton. While the match was relatively short, it became one of the most talked-about moments of the night. The crowd sang Hendry’s entrance theme in full twice, and the "Say His Name and He Appears" catchphrase rang through the stadium like a battle cry. Hendry lost the match to Orton, but it hardly mattered. In that moment, he arrived. The crossover moment was unexpected, refreshing, and hinted at WWE’s increasingly open door to the wider wrestling world.


The Bad?

  • Matches like Jey Uso vs. Gunther felt rushed and disjointed, leaving fans scratching their heads.

  • Becky Lynch’s surprise tag title win (replacing Bayley last-minute) drew ire from fans who saw it as behind-the-scenes politicking.

  • Travis Scott’s heavy involvement in the event’s climax had some fans wondering if the show had veered too far into pop culture stunt casting.


But all of this paled in comparison to the elephant in the ring...


Where Was The Rock?

Heading into WrestleMania 41, the anticipation of a clash-or at least an appearance-from Dwayne “The Rock” Johnson had been built up for months. From his involvement in earlier segments, to backstage teases, to his apparent alignment with The Bloodline… fans were ready. The table was set.


Then he didn’t show.


The reaction? Volcanic.


On Twitter (now "X"), #WhereIsTheRock trended before the show even ended. Fans speculated everything from creative disputes to last-minute schedule conflicts. Some believed The Rock opted out to allow Cena the spotlight, as later confirmed in interviews, but that explanation didn’t sit well with many who had bought into the storylines building to a showdown.


More than just a missed cameo, The Rock’s absence left a gaping hole in the narrative. Story arcs were left dangling, tensions unresolved. And while Cena’s record-breaking moment was monumental, a large segment of the audience couldn’t shake the feeling of what could have been.


Fan Voices: Mixed But Passionate

“Cena breaking Flair’s record was incredible. But The Rock going ghost? It’s like watching Avengers: Endgame without Iron Man.” — @HeelTurnTim
“WrestleMania is about moments, and this one had a few. But it also had a few missed ones that sting more than they should.” — Reddit user ‘SuplexSavage’
“Punk crying backstage, Cena rewriting history… yeah, I’ll remember this one for a while. Just wish The Rock hadn’t vanished.” — @WrestleMama
“Joe Hendry at WrestleMania singing with the crowd? I didn’t have that on my 2025 bingo card. TNA just got a whole lot more eyes on them.” — @VoiceOfKayfabe

Final Bell: Legacy in the Balance

WrestleMania 41 will be remembered - no question about it. Whether as a triumphant milestone or a missed opportunity depends on where you were sitting, and maybe who your favourite is.


It was a reminder that pro wrestling isn’t just about who wins the match, but who shows up at all.


And next year? Well, let’s just say fans will be watching the horizon for one very famous eyebrow to finally raise again.

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